TECHNICAL INFORMATION

 

The Rondo has good lighting facilities; we are also well equipped with stage and sound equipment.
The theatre does not provide a technician in the hire, unless agreed specifically. There is no standard “general cover”, so even if you have very limited lighting requirements, please remember that lights will need to be rigged. Therefore you must supply a technician who is fully competent to rig and run the show, and to oversee the get-out and get-in.
If you have no technician, we cannot guarantee assistance. If a member of our staff has to act as a technician, you will be charged. We have freelance technicians who work regularly at The Rondo and we can we can arrange for their services at an extra cost with advance notice. If you foresee any problems or if you have any questions please contact us well ahead of your show.

 

TECHNICAL EQUIPMENT LIST

General

The theatre is a small 105 seat end stage space. The bar is within the auditorium – the auditorium must be clear 35 mins before curtain up.

Get-in

Parking for loading is directly in front of the theatre, with a flat path down the side of the building to a fire escape which leads directly onto the stage. Width is limited for large objects. Please arrange get in time in advance to ensure keys are available or staff can let you in. The back door is unlocked by a code – your code will be allocated to you in advance of your get-in.

Stage Dimensions

7.9m wide by 4.2m to tab line or 5.5m to audience. Height is 3.6m to tab line border, approx. 4m at side walls and 6m to ceiling for the centre 4m width of the stage. All the stage walls are painted black. The floor is smooth, wooden floor boarding and there is a dance floor available in black.

Stage & Backstage:

Please leave the stage clear and clean, please sweep all areas and make sure surfaces are left clean and tidy. The stage must be returned to black if painted using Macpherson Vinyl Matt Black paint only

Blacks:

Full stage blacks available on tab tracks, plus legs. Can move as necessary. Please replace after use.

Supply:

100amp 3 phase
Red FOH (24 Channels) Max Loading 20K
Blue Onstage (40 Channels) Max Loading 23K
Yellow Floor (8 Channels) Max Loading 20K
Digital Dimmers: 3 LD90s

Distribution:

72 Hardwired circuits on IWBs
Channels 1-24 FOH
Channels 25-60 Onstage
Channels 61-64 Rear Room
Channels 65-70 Stage Floor
Channels 71 & 72 in LX Box

Desk

ETC Element 2
24 subs, moving light controller

Current Lighting Stock

11x LED pars (Fixed position)

1x Berkey Fresnel

7x Cantata Fresnels

5x Cantata PCs

7x Cantata 18/32 Profiles

6x Cantata 26/44 Profiles

3x Parcans with CP62 Bubbles

1x Patt 23

2x Patt 743s

5x Source 4 Jr Zooms

1x Strand source 4 profile – 19 degree lens tube

1x Strand 814 Fresnel

2x Strand 15/32 Profiles

1x Strand 23/50 Profile

Sound

CD: 2x Denon DN C635. Both play CD R R/W mp3; both have autopause.

Mixer: Yamaha TouchFlow TF1  Alesis Midiverb 4 effects unit
Amps: Quad 303 and Quad 606
Speakers: 2 x EV ELX200 10 front of tabs; 2 x JBL 1000 rear stage
Microphones: 2x SM58s and stands available by arrangement
Communications: 4 cue light points, with 2 sets available available by arrangement only
7 comms points
4 comms packs and headsets, one base unit available by arrangement only
Show Relay: stereo mics to control room and dressing room
Sound connections:
Unit stage left. 5 female XLR connections, 2 male XLR (audio), 1 DMX . 1 Video Extension Leads Will be in lighting box, in cupboard outside lighting box or on the rig

We try to make sure all of the above are available, although sometimes a lantern may be unavailable as it requires maintenance. Please do not to take down lights just because you are not using them.

 

Stage Dimensions

 

 

 

Rig Plan